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Keening Woman
Rita HUI Nga Shu
Release year: 2013
Run time: 115 minutes
Film type: Fiction
Synopsis
“Ling” (spirit) is full of loneliness. Only in the state of ""being sympathetic to
other spirits"", she feels her own existence. Ling only possesses consciousness
with the present of space and time, with the feeling of “herself”. In a farewell
ceremony for a friend of the family, Cotton acts abnormally because of Ling. Her
body and her consciousness are separating. Different memories, consciousnesses, identities and actions are lingering inside Cotton, which collaborate the unusual relationship between herself, her lame boyfriend and her psychiatrist. Her boyfriend is facing a woman with multiple consciousnesses but in a single body. This triggers emotional entanglements
between relationships and questionings of relationship itself. While in the process of her treatment, her psychiatrist realized Cotton’s past is the same as his own history. The relationship between the two starts to collapse. There is the one body, in which Cotton and Spirit (Ling) connect with each other spiritually and which leads them wandering the “Luo Feng Mountain”. There is water flowing downstream which constitutes different scenes and imageries, delving into the consciousness. It presents something that is beyond substance. It
returns them to the nature and begins an indescribable journey of Chinese ink painting.Cotton and Ling are opening a door, into a situation that entering another world — The Bardo.
“Luo Feng Mountain is the Underworld. The Underworld is our secular.”
Director biography
Video artist and Hong Kong Independent Film director, teaching at the School of Creative Media, City University of Hong Kong. Over the past decade, she has actively explored the possibility of narrative and has challenged more ways of presenting expression besides images and storytelling. Rabbit Travelogue established in 2007. In 2009, with the funding of the Hong Kong Arts Development Council, she completed her first film Dead Slowly and participated in the 2009 Busan Film Festival “New Current”. The film hailed as the first feature-length experimental film in Hong Kong's history. In 2013, the second feature film Kenning Woman selected into the Busan Film Festival. Pseudo Secular is the third feature film, which became the opening film of the southern Taiwan film in 2016 and selected for the Turin Film Festival in Italy. 2021, Decameron selected for International Film Festival Rotterdam.